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Tyger, from Songs of Innocenceby William Blake
19" x 28" Framed Print Frame
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Jacob's Ladderby William Blake
22" x 27" Framed Print Frame
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Chaucer's Canterbury Pilgrims ,1810by William Blake
28" x 13" Framed Print Frame
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Last Judgementby William Blake
22" x 26" Framed Print Frame
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God Creating the Universeby William Blake
24" x 30" Framed Print Frame
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Joseph of Arimathea preaching to the inhabitants of Britainby William Blake
28" x 22" Framed Print Frame
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Songs of Innocenceby William Blake
20" x 28" Framed Print Frame
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Divine Image, from Songs of Innocence, 1789by William Blake
20" x 28" Framed Print Frame
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Poison Tree, from Songs of Experienceby William Blake
20" x 28" Framed Print Frame
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Glad Day or The Dance of Albion, c.1794by William Blake
22" x 28" Framed Print Frame
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St. Gregory and the British Captivesby William Blake
28" x 21" Framed Print Frame
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Moses and the Burning Bushby William Blake
22" x 27" Framed Print Frame
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Christ in the House of Martha and Mary or The Penitent Magdalenby William Blake
22" x 23" Framed Print Frame
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Mercy and Truth are met together, Righteousness and Peace have kissed each otherby William Blake
22" x 25" Framed Print Frame
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Healing of the Woman with an Issue of Bloodby William Blake
22" x 24" Framed Print Frame
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Transfigurationby William Blake
22" x 25" Framed Print Frame
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Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughtersby William Blake
28" x 21" Framed Print Frame
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Our Lady with the Infant Jesus Riding on a Lamb with St Johnby William Blake
28" x 22" Framed Print Frame
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Christ Child asleep on a Cross, c.1799-1800by William Blake
28" x 22" Framed Print Frame
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Virgin and Child in Egypt, 1810by William Blake
22" x 26" Framed Print Frame
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Songs of Innocence; the Piperby William Blake
21" x 28" Framed Print Frame
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Songs of Innocence; Title Page, 1789by William Blake
21" x 29" Framed Print Frame
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Songs of Innocence; Infant Joy, 1789by William Blake
21" x 28" Framed Print Frame
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Book of Thel; Title Page, 1789by William Blake
20" x 27" Framed Print Frame
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Marriage of Heaven and Hell; title-page, 1790-93by William Blake
21" x 28" Framed Print Frame
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Marriage of Heaven and Hell; As a new heaven is begun, c.1790by William Blake
22" x 28" Framed Print Frame
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America a Prophecy; 'Thus wept the Angel voice', the emergence of Orcby William Blake
21" x 27" Framed Print Frame
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Europe a Prophecy 'Unwilling I look up', 1794by William Blake
22" x 28" Framed Print Frame
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Europe a Prophecy; Famine, 1794by William Blake
25" x 31" Framed Print Frame
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Europe a Prophecy; Plague, c.1794by William Blake
22" x 28" Framed Print Frame
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First Book of Urizen; title page, showing Urizenby William Blake
22" x 28" Framed Print Frame
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First Book of Urizen; Man floating upside down, 1794by William Blake
22" x 28" Framed Print Frame
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First Book of Urizen: As the stars are apart from the earth, 1794by William Blake
22" x 26" Framed Print Frame
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Book of Urizen; the creation of Urizen in material form by Los, 1794by William Blake
22" x 28" Framed Print Frame
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Book of Thel; Plate 4 Thel in the Vale of Har, 1794by William Blake
26" x 22" Framed Print Frame
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Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789by William Blake
28" x 22" Framed Print Frame
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William Blake (born 1757) was a visual artist from London. He studied art at the drawing academy of Henry Pars and served a 5-year apprenticeship under the commercial engraver James Basire. At the age of 22, he joined the Royal Academy School as an engraver. However, this conventional training was frustrated when he began private studies of medieval and Renaissance art. Blake was influenced by artists such as Michelangelo, Durer, and Raphael into producing “Gothic” art that he created with poetic genius and infused with Christian spirituality. Blake believed that the Bible comprised the basis of true art, and was the greatest work of poetry ever written.
In 1782, Blake fell in love and married an impoverished grocer's daughter called Catherine Boucher. Catherine would become his studio assistant. Later on, Blake discovered a unique method of "relief etching" which he could use to create single, raised printing surface for both text and image. This technique allowed Blake to control all aspects of book production. After composing the verses, he would design the illustrations, print the plates, color each sheet by hand, and bind the pages together in covers. Blake continued with his experimentations and he came up with a series of large color prints notable for their iconic designs and massive size. He described his method as "fresco." The technique looks more or less like a form of monotype: using tempera and oil paints mixed with chalks, he painted his designs onto flat surfaces. He finished the designs in watercolor and ink, making each impression unique. Today, Framed William Blake art comprise some of his most ambitious work as a visual artist.